A number of paintings apparently
by Amedeo Modigliani which were put on show at Genoa's Palazzo
Ducale in March have been declared fake, qualified sources said
Tuesday.
The Palazzo Ducale has said that it was the "seriously
injured party" in the case.
Prosecutors seized 21 works on display in July following a
complaint by Tuscan art expert Carlo Pepi.
The curator of the exhibition, Rudy Chiappini, is among the
people under investigation in relation to the case, the sources
said.
One of the drawings seized was original, the sources said.
According to initial reports, art expert Isabella Quattrocchi
said in a statement delivered to prosecutors that the paintings
in question were "blatantly falsified".
She said this was the case "both for the pigment and for the
style".
The frames, meanwhile, "originated in countries of eastern
Europe and the United States".
She said the frames "have nothing to do, either in context or
in historical period, with Modigliani".
The seized pictures are still in the vault of Italy's crack
art cops, the Carabinieri Unit for the Protection of the
Cultural Heritage.
Some 21 works have been seized: Sculpted Head, 1910-11,
pencil drawing on paper; The Red Caryatid/The Wedding Couple,
from 1913, oil on canvas; Portrait of Moricand, from 1915, oil
on canvas; Portrait of Jean Cocteau, 1916, pencil drawing on
paper; Portrait of Cham Soutine, 1917, oil on canvas; Kneeling
Caryatid, circa 1913, pencil and gouache on paper; Seated Nude,
1913-14, pencil and blue watercolour on paper; Caryatid from
1914, tempera on paper; Reclining Nude (Portrait of Céline
Howard) from 1918 circa, oil on canvas; Portrait of Moisé
Kisling from 1916; pencil sketch on paper; Woman's Head from
1917, oil on canvas; Head of Red-haired Woman from 1915, oil on
canvas; Seated Woman from 1916, pencil sketch on paper; Female
Portrait (La Femme aux Macarons) from 1917, oil on canvas; and
Portrait of Maria, circa 1918, oil on cartoon.
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