Se hai scelto di non accettare i cookie di profilazione e tracciamento, puoi aderire all’abbonamento "Consentless" a un costo molto accessibile, oppure scegliere un altro abbonamento per accedere ad ANSA.it.

Ti invitiamo a leggere le Condizioni Generali di Servizio, la Cookie Policy e l'Informativa Privacy.

Puoi leggere tutti i titoli di ANSA.it
e 10 contenuti ogni 30 giorni
a €16,99/anno

  • Servizio equivalente a quello accessibile prestando il consenso ai cookie di profilazione pubblicitaria e tracciamento
  • Durata annuale (senza rinnovo automatico)
  • Un pop-up ti avvertirà che hai raggiunto i contenuti consentiti in 30 giorni (potrai continuare a vedere tutti i titoli del sito, ma per aprire altri contenuti dovrai attendere il successivo periodo di 30 giorni)
  • Pubblicità presente ma non profilata o gestibile mediante il pannello delle preferenze
  • Iscrizione alle Newsletter tematiche curate dalle redazioni ANSA.


Per accedere senza limiti a tutti i contenuti di ANSA.it

Scegli il piano di abbonamento più adatto alle tue esigenze.

Mao Jianhua's mountains 'dance' in Rome

Mao Jianhua's mountains 'dance' in Rome

Chinese artist's works on display at Vittoriano complex

Rome, 13 September 2017, 18:15

Redazione ANSA

ANSACheck

- ALL RIGHTS RESERVED

-     ALL RIGHTS RESERVED
- ALL RIGHTS RESERVED

An exhibition by Chinese artist Mao Jianhua opened Wednesday at Rome's Vittoriano Museum Complex, featuring works of calligraphy and paintings that employ a traditional method of brush and ink on handmade cotton paper, rooted in the artist's particular philosophical and religious approach.
    In the 99 works on display, Jianhua depicts landscapes with craggy mountains that climb to infinite heights, fog, forests, and even the sea of Sardinia, with its cliffs and islands.
    Jianhua chose the works for the exhibition, titled "The Timeless Dance: Beyond the Mountains", together with curator Martina Mazzotta, to create a sort of interior journey into the universe of "chief and universal" values that support every brush stroke.
    "I chose to dedicate myself to painting because calligraphy is too difficult," Jianhua said at a press presentation with Mazzotta.
    The artist undertook his new direction for health reasons, and began to take care of his body and mind in unison under the guidance of his teacher, a descendent of the last Chinese emperor.
    The Roman exhibition therefore shows his path, consisting entirely of landscapes and divided into various subsections including one on Taoism and another on folk tales. "In this art, the mastery implies total self-control," Mazzotta said, illustrating the various phases upon which each work is based, both the small-scale pieces as well as the larger more ones with a greater visual impact.
    She said Jianhua's notebooks don't contain sketches to use later on in the studio, but rather "fields of energy" that, with the help of his students, he transfers with the same significance to the handmade paper.
    "They are passages of the soul more than realistic descriptions," Mazzotta said, adding that the energy allows the artist's body to "become a compact unit up to the tip of the brush".
    Jianhua's black ink is handmade, and offers up an infinity of shades of gray, from anthracite to white, to express the rhythm of life, nature, Yin and Yang, full and empty, much like a dance.
    The exhibition runs through September 26.
   

ALL RIGHTS RESERVED © Copyright ANSA

Not to be missed

Share

Or use

ANSA Corporate

If it is news,
it is an ANSA.

We have been collecting, publishing and distributing journalistic information since 1945 with offices in Italy and around the world. Learn more about our services.