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History of impressionism lights Treviso

History of impressionism lights Treviso

140 masterpieces at Santa Caterina Museum

Treviso, 27 October 2016, 18:03

Redazione ANSA

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-     ALL RIGHTS RESERVED
- ALL RIGHTS RESERVED

Marco Goldin spent a year and a half preparing the new exhibition on Impressionism set to open on October 29 in Treviso's Santa Caterina Museum.
    The founder and director of 'Linea d'Ombra', which organises and manages art shows and events, said he wanted to create a show that would contextualise the "diverse souls" of Impressionism as well as place them in relation to work that was being shown in the government-sanctioned "salon" exhibitions of the time, which the impressionists rejected. The show, in celebration of the 20th anniversary of Goldin's organisation, is titled "Stories of Impressionism: The great protagonists from Monet to Renoir to Van Gogh to Gauguin", and brings together 140 masterpieces from the some of the world's greatest public and private collections.
    Beginning in the first decades of the 1800s, with portraits by Ingres and Delacroix, the exhibition demonstrates the first traces of the coming Impressionism movement alongside works of Impressionism that show the revolution that was already underway and would eventually lead to the heart of Avant-Garde and Abstract art.
    Therefore, Renoir's 'The Clown' from 1868 is on display with Manet's 1861 work 'Le Petit Lange', as well as 'La Vigilance' by Puvis de Chavannes, which Goldin says together show the passage from "academic to romantic portraiture, and then realistic, to end up in the poeticism of modern life that was unique to Impressionism". That life is captured here in works that portray everyday joy, such as Renior's 'Mademoiselle Irene Cahen d'Anvers' (1880), the iconic image chosen to represent the exhibition, as well as 'Child with a Bird' from 1882, on loan from the Clark Art Institute of Massachusetts. The show also displays several works that are usually inaccessible to public viewing, such as a group of paintings by Edouard Manet that are rarely loaned out.
    Impressionism's evolution continues in the Van Gogh painting 'Lullaby: Madame Augustine Roulin Rocking a Cradle (La Berceuse)' from 1889, and the Gaugin masterpieces 'Portrait of Vaite Goupil' (1896) and 'The Ancestors of Tehamana' (1893), on loan from the Art Institute of Chicago and insured for 100 million euros, Goldin said.
   

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